#Across the stars star wars full

By contrast, Across the Stars is in a minor key-never a good sign in music, here clearly suggesting the gloomy fate of both Anakin and PadmГ© through their bond. Most obviously, LukeвЂ™s theme is in a sunny major key suggesting some positive influence. But the two themes also differ in important ways.

The two themes are bound together mainly through the rhythm of their melodies, which one might interpret as suggesting Luke as a product of Anakin and PadmГ©вЂ™s love. Compare the opening of each section below: A Section of Both ThemesД«ut analyses have generally stopped short of interpreting the significance of these themesвЂ™ similarities and, more importantly, their differences. The second occurs when PadmГ© tries to talk Anakin out of wanting a relationship with her because of its real-world impracticalties (from 2:05-2:24 and 3:09-3:29):Д®ven within the Star Wars canon, similarities have been pointed out between Across the Stars and the sagaвЂ™s main theme (or LukeвЂ™s theme) in the A and B sections of both themes. The first occurs when Anakin tells Jar-Jar that, although not a day has gone by where he has not thought about PadmГ©, after seeing Anakin again, PadmГ© seems only to have barely recognized him. Consequently, it is disconnected from the A and B sections in the film proper and used to accompany two separate moments when AnakinвЂ™s hopes of starting a relationship with PadmГ© are seriously challenged. The C section of the theme is fraught with even more tension as it is more dissonant and chromatic than the other two sections. The second place we hear the A and B sections together is during the montage ending the film, where we see Anakin and PadmГ© secretly getting married at PadmГ©вЂ™s home on Naboo (from 2:37-3:44):

#Across the stars star wars full

With the B section added on for the first time, this statement of the theme gains an importance that rises above the others, especially since the theme eventually swells into the full orchestra as the pair enter the arena.

This revelation serves as the filmвЂ™s emotional climax and confirms the bond that will allow for AnakinвЂ™s downfall in the next film. It is at this point that PadmГ© finally admits to Anakin that she loves him despite resisting most of his advances throughout the film. The B section, however, appears in only a couple of places in the film, first, just before the gladiator-style arena fight. Notice, for example, how the scene with Obi-Wan and Anakin in the elevator just before meeting PadmГ© begins with a melody that clearly foreshadows the love theme (from 6:34-6:40) and sounds another that does the same in the middle of the scene (from 6:50-6:59):ДЄnother similar example occurs when PadmГ© is leaving the capital with Anakin for greater safety on Naboo. Like the emergence of the coupleвЂ™s mutual feeling of love, however, this A section is at first rather hesitant to appear in its full form, instead entering in a number of embryonic states early in the film. Like other Star Wars themes, the A section is the one that acts as the love leitmotif, reinforcing such emotionally clear scenes as when PadmГ© offers sympathy to Anakin for his struggles with being a padawan, or Jedi-in-training, under his master, Obi-Wan, or when Anakin tells PadmГ© that she has not changed from the way he remembers her, or when the two kiss for the first time.